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        <title>
            <![CDATA[ Top 10 Books About Public Spaces ]]>
        </title>
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            <![CDATA[ https://www.frontlist.in/public/top-10-books-about-public-spaces ]]>
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        <description>
            <![CDATA[ <span style=font-weight: 400;>The pandemic has made many of us reassess the value of public spaces in our lives. Parks have become a reprieve from isolation. Pubs and restaurants have spilled out on to pavements. Schemes to reclaim city streets for pedestrians </span><span style=font-weight: 400;>have flourished</span><span style=font-weight: 400;>. Schools with open gates have become a source of celebration rather than complaint.</span>

<span style=font-weight: 400;>The architect Richard Rogers has said that architecture “is about public space held by </span><span style=font-weight: 400;>buildings.”</span>

<span style=font-weight: 400;>While writing </span><span style=font-weight: 400;>The Great Mistake</span><span style=font-weight: 400;>, a novel about the life and murder of a forgotten creator of Central Park and the New York Public Library, I got obsessed by public space held by books. All of the stories in my top 10 below are celebrations of areas where strangers can mingle, think, and be less alone – even the one about a massive man-eating shark.</span>
<ol>
 	<li><b> </b><b>Jaws by Peter Benchley</b></li>
</ol>
<img class=size-medium wp-image-15155 aligncenter src=https://www.frontlist.in/wp-content/uploads/2021/06/91ZSg7HlaVL-195x300.jpg alt=Jaws by Peter Benchley width=195 height=300 />

<span style=font-weight: 400;>Someone really should make a movie out of this book! The power of Jaws lies not in one-note horror but in its consideration of what would actually happen if a great predator laid siege to the public spaces that are the lifeblood of a resort community: the beach and the ocean. Before writing Jaws, Benchley worked as a speechwriter for President Lyndon B Johnson. After it became a bestseller, he spent much of the rest of his life </span><span style=font-weight: 400;>working in shark conservation</span><span style=font-weight: 400;>.</span>
<ol start=2>
 	<li><b> </b><b>The Flamethrowers by Rachel Kushner</b></li>
</ol>
<img class=size-medium wp-image-15156 aligncenter src=https://www.frontlist.in/wp-content/uploads/2021/06/91egt8cOhpL-194x300.jpg alt=The Flamethrowers by Rachel Kushner width=194 height=300 />

<span style=font-weight: 400;>The protagonist of Kushner’s novel rides her Moto Valera motorcycle from Nevada to Utah, to take part in the land-speed trials on the Bonneville Salt Flats. The great outdoors becomes a space where a whole community gathers in its own risky pursuit of transcendence, captured by Kushner’s majestic attention: “the fathers and uncles who crowded around workbenches, bent over vehicles, their belts buckled off center to avoid scratching the paint.” At the same time, artists are colonising a deserted and industrial SoHo in New York, staging communal actions that test the boundaries between life and art, and private and public space.</span>
<ol start=3>
 	<li><b> </b><b>Central Park Then and Now by Marcia Reiss</b></li>
</ol>
<img class=size-medium wp-image-15164 aligncenter src=https://www.frontlist.in/wp-content/uploads/2021/06/6992916-300x258.jpg alt=Central Park Then and Now by Marcia Reiss width=300 height=258 />

<span style=font-weight: 400;>I found this book of photographs inspiring while I was writing The Great Mistake. It proceeds according to a simple but effective idea: archive and contemporary images are placed side by side to capture Central Park’s evolution over 150 years. The result is an eerily wonderful juxtaposition of past and present. Crowds in top hats are pictured alongside mass gatherings in the park in modern times, such as the 1968 rally against the Vietnam war, or </span><span style=font-weight: 400;>the vigil following John Lennon’s murder</span><span style=font-weight: 400;> in 1980.</span>
<ol start=4>
 	<li><b> </b><b>The Embassy of Cambodia by Zadie Smith</b></li>
</ol>
<img class=size-medium wp-image-15163 aligncenter src=https://www.frontlist.in/wp-content/uploads/2021/06/41kx0-IKbIL._SX340_BO1204203200_-206x300.jpg alt=The Embassy of Cambodia by Zadie Smith width=206 height=300 />

<span style=font-weight: 400;>Some of my favorite nonfiction by Smith makes the case for why public spaces such as libraries are integral to communities (check out her essay North-west London Blues in </span><span style=font-weight: 400;>Feel Free</span><span style=font-weight: 400;>). In this short story, her attention turns to similar areas: the public spaces between and around Willesden’s high-walled private residences; its streets, gardens and public pool. The Embassy of Cambodia poses a question, for art and for life, that I think has increasing contemporary resonance: “Surely there is something to be said for drawing a circle around our attention and remaining within that circle. But how large should this circle be?”</span>
<ol start=5>
 	<li><b> </b><b>Cairo: Memoir of a City Transformed by Ahdaf Soueif</b></li>
</ol>
<img class=size-medium wp-image-15162 aligncenter src=https://www.frontlist.in/wp-content/uploads/2021/06/9781408835548-195x300.jpg alt=Cairo: Memoir of a City Transformed by Ahdaf Soueif width=195 height=300 />

<span style=font-weight: 400;>Soueif’s book is a fascinating examination of how citizens find new ways to reclaim public spaces, from historic architecture that has been left neglected to greedy water-guzzling golf courses for the rich. Tahrir Square emerges in these pages as a reminder that public spaces are often where history is made – sites for activism and the shattering of established narratives.</span>
<ol start=6>
 	<li><b> </b><b>Jazz by Toni Morrison</b></li>
</ol>
<img class=size-medium wp-image-15161 aligncenter src=https://www.frontlist.in/wp-content/uploads/2021/06/71ROmz3mz5L-194x300.jpg alt=Jazz by Toni Morrison width=194 height=300 />

<span style=font-weight: 400;>Full of improvisations, shifts in composition, and events repeated and reimagined from different perspectives, Morrison’s novel epitomises the jazz of its title, but also the “call and response” pattern of democratic participation in politics and public performance. The characters come together in 1920s Harlem, where even the most seemingly innocuous lines are lit by an awareness of the fact not everyone in society is given equal room to breathe: “It’s good they don’t need much space to dance in, because there isn’t any.”</span>
<ol start=7>
 	<li><b> </b><b>The Ungrateful Refugee: What Immigrants Never Tell You by Dina Nayeri</b></li>
</ol>
&nbsp;

<img class=size-medium wp-image-15160 aligncenter src=https://www.frontlist.in/wp-content/uploads/2021/06/81RJWDODY6L-199x300.jpg alt=The Ungrateful Refugee: What Immigrants Never Tell You by Dina Nayeri width=199 height=300 />

<span style=font-weight: 400;>There are those for whom public space is the only space available. Aged eight, Nayeri fled Iran along with her mother and brother, living in a refugee camp before eventually being granted asylum in the US and making her way to Princeton University. Here, she weaves together her own vivid story with the stories of other refugees and asylum seekers who have been displaced in recent years, bringing us inside their daily lives as they gather in camps and borderlands, trying to find a path toward resettlement in homes they can call their own.</span>
<ol start=8>
 	<li><b> </b><b>Barbarian Days: A Surfing Life by William Finnegan</b></li>
</ol>
<img class=size-medium wp-image-15159 aligncenter src=https://www.frontlist.in/wp-content/uploads/2021/06/91VUNuVD5KL-196x300.jpg alt=Barbarian Days: A Surfing Life by William Finnegan width=196 height=300 />

<span style=font-weight: 400;>Finnegan’s Pulitzer prize-winning book falls into my favourite category of nonfiction: memoirs of obsession. Here the obsession is surfing, and the public spaces in which surfing occurs. Life on land becomes less real and transformative than “lazy days of waiting for waves” among communities of surfers gathered quietly on unpredictable oceans. “Out in the lineup,” Finnegan writes, “once the swells started pumping, large pools of awe seemed to collect around us, hushing us, or reducing us to code and murmurs, as though we were in church.”</span>
<ol start=9>
 	<li><b> </b><b>The Wombles by Elisabeth Beresford</b></li>
</ol>
<img class=size-medium wp-image-15158 aligncenter src=https://www.frontlist.in/wp-content/uploads/2021/06/51Cnh5xOPFL-197x300.jpg alt=The Wombles by Elisabeth Beresford width=197 height=300 />

<span style=font-weight: 400;>Elisabeth Beresford</span><span style=font-weight: 400;> took her young children for a Boxing Day walk on Wimbledon Common in south-west London, where her daughter Kate repeatedly mispronounced it as “Wombledon Common”. This sparked an idea, and in 1968 Beresford published her first children’s book about The Wombles, a group of furry creatures with the motto “Make Good Use of Bad Rubbish”. Environmental pioneers ahead of their time, The Wombles gathered in burrows and open green spaces with the aim of recycling rubbish in creative ways. They were also early farm-to-table advocates, demonstrating a great hunger for the kinds of dishes that would now cost you a month’s salary at a Michelin-starred restaurant: daisy buns, acorn juice, fir-cone soufflé, and elm bark casserole.</span>
<ol start=10>
 	<li><b> </b><b>Here Is New York by EB White</b></li>
</ol>
<img class=size-medium wp-image-15157 aligncenter src=https://www.frontlist.in/wp-content/uploads/2021/06/511XBl8f6XL-218x300.jpg alt=Here Is New York by EB White width=218 height=300 />

<span style=font-weight: 400;>Perhaps the greatest book about New York ever written</span><i><span style=font-weight: 400;>, </span></i><span style=font-weight: 400;>Here Is New York unfolds as a single imagined stroll around the city. “Manhattan is without any doubt the greatest human concentrate on earth,” White writes, “the poem whose magic is comprehensible to millions of permanent residents but whose full meaning will always remain elusive.” White captures how a city does not become great by virtue of its skyline, but by the communion of people gathered in its public spaces.</span>

<em>Source - The Guardian</em>

&nbsp; ]]>
        </description>
        <language>en</language>
        <pubDate>Fri, 06 18, 2021 04:30 am</pubDate>
        <item>
            <title>
                <![CDATA[ Top 10 Books About Public Spaces ]]>
            </title>
            <link><![CDATA[ https://www.frontlist.in/public/top-10-books-about-public-spaces ]]></link>
            <description>
                <![CDATA[ <span style=font-weight: 400;>The pandemic has made many of us reassess the value of public spaces in our lives. Parks have become a reprieve from isolation. Pubs and restaurants have spilled out on to pavements. Schemes to reclaim city streets for pedestrians </span><span style=font-weight: 400;>have flourished</span><span style=font-weight: 400;>. Schools with open gates have become a source of celebration rather than complaint.</span>

<span style=font-weight: 400;>The architect Richard Rogers has said that architecture “is about public space held by </span><span style=font-weight: 400;>buildings.”</span>

<span style=font-weight: 400;>While writing </span><span style=font-weight: 400;>The Great Mistake</span><span style=font-weight: 400;>, a novel about the life and murder of a forgotten creator of Central Park and the New York Public Library, I got obsessed by public space held by books. All of the stories in my top 10 below are celebrations of areas where strangers can mingle, think, and be less alone – even the one about a massive man-eating shark.</span>
<ol>
 	<li><b> </b><b>Jaws by Peter Benchley</b></li>
</ol>
<img class=size-medium wp-image-15155 aligncenter src=https://www.frontlist.in/wp-content/uploads/2021/06/91ZSg7HlaVL-195x300.jpg alt=Jaws by Peter Benchley width=195 height=300 />

<span style=font-weight: 400;>Someone really should make a movie out of this book! The power of Jaws lies not in one-note horror but in its consideration of what would actually happen if a great predator laid siege to the public spaces that are the lifeblood of a resort community: the beach and the ocean. Before writing Jaws, Benchley worked as a speechwriter for President Lyndon B Johnson. After it became a bestseller, he spent much of the rest of his life </span><span style=font-weight: 400;>working in shark conservation</span><span style=font-weight: 400;>.</span>
<ol start=2>
 	<li><b> </b><b>The Flamethrowers by Rachel Kushner</b></li>
</ol>
<img class=size-medium wp-image-15156 aligncenter src=https://www.frontlist.in/wp-content/uploads/2021/06/91egt8cOhpL-194x300.jpg alt=The Flamethrowers by Rachel Kushner width=194 height=300 />

<span style=font-weight: 400;>The protagonist of Kushner’s novel rides her Moto Valera motorcycle from Nevada to Utah, to take part in the land-speed trials on the Bonneville Salt Flats. The great outdoors becomes a space where a whole community gathers in its own risky pursuit of transcendence, captured by Kushner’s majestic attention: “the fathers and uncles who crowded around workbenches, bent over vehicles, their belts buckled off center to avoid scratching the paint.” At the same time, artists are colonising a deserted and industrial SoHo in New York, staging communal actions that test the boundaries between life and art, and private and public space.</span>
<ol start=3>
 	<li><b> </b><b>Central Park Then and Now by Marcia Reiss</b></li>
</ol>
<img class=size-medium wp-image-15164 aligncenter src=https://www.frontlist.in/wp-content/uploads/2021/06/6992916-300x258.jpg alt=Central Park Then and Now by Marcia Reiss width=300 height=258 />

<span style=font-weight: 400;>I found this book of photographs inspiring while I was writing The Great Mistake. It proceeds according to a simple but effective idea: archive and contemporary images are placed side by side to capture Central Park’s evolution over 150 years. The result is an eerily wonderful juxtaposition of past and present. Crowds in top hats are pictured alongside mass gatherings in the park in modern times, such as the 1968 rally against the Vietnam war, or </span><span style=font-weight: 400;>the vigil following John Lennon’s murder</span><span style=font-weight: 400;> in 1980.</span>
<ol start=4>
 	<li><b> </b><b>The Embassy of Cambodia by Zadie Smith</b></li>
</ol>
<img class=size-medium wp-image-15163 aligncenter src=https://www.frontlist.in/wp-content/uploads/2021/06/41kx0-IKbIL._SX340_BO1204203200_-206x300.jpg alt=The Embassy of Cambodia by Zadie Smith width=206 height=300 />

<span style=font-weight: 400;>Some of my favorite nonfiction by Smith makes the case for why public spaces such as libraries are integral to communities (check out her essay North-west London Blues in </span><span style=font-weight: 400;>Feel Free</span><span style=font-weight: 400;>). In this short story, her attention turns to similar areas: the public spaces between and around Willesden’s high-walled private residences; its streets, gardens and public pool. The Embassy of Cambodia poses a question, for art and for life, that I think has increasing contemporary resonance: “Surely there is something to be said for drawing a circle around our attention and remaining within that circle. But how large should this circle be?”</span>
<ol start=5>
 	<li><b> </b><b>Cairo: Memoir of a City Transformed by Ahdaf Soueif</b></li>
</ol>
<img class=size-medium wp-image-15162 aligncenter src=https://www.frontlist.in/wp-content/uploads/2021/06/9781408835548-195x300.jpg alt=Cairo: Memoir of a City Transformed by Ahdaf Soueif width=195 height=300 />

<span style=font-weight: 400;>Soueif’s book is a fascinating examination of how citizens find new ways to reclaim public spaces, from historic architecture that has been left neglected to greedy water-guzzling golf courses for the rich. Tahrir Square emerges in these pages as a reminder that public spaces are often where history is made – sites for activism and the shattering of established narratives.</span>
<ol start=6>
 	<li><b> </b><b>Jazz by Toni Morrison</b></li>
</ol>
<img class=size-medium wp-image-15161 aligncenter src=https://www.frontlist.in/wp-content/uploads/2021/06/71ROmz3mz5L-194x300.jpg alt=Jazz by Toni Morrison width=194 height=300 />

<span style=font-weight: 400;>Full of improvisations, shifts in composition, and events repeated and reimagined from different perspectives, Morrison’s novel epitomises the jazz of its title, but also the “call and response” pattern of democratic participation in politics and public performance. The characters come together in 1920s Harlem, where even the most seemingly innocuous lines are lit by an awareness of the fact not everyone in society is given equal room to breathe: “It’s good they don’t need much space to dance in, because there isn’t any.”</span>
<ol start=7>
 	<li><b> </b><b>The Ungrateful Refugee: What Immigrants Never Tell You by Dina Nayeri</b></li>
</ol>
&nbsp;

<img class=size-medium wp-image-15160 aligncenter src=https://www.frontlist.in/wp-content/uploads/2021/06/81RJWDODY6L-199x300.jpg alt=The Ungrateful Refugee: What Immigrants Never Tell You by Dina Nayeri width=199 height=300 />

<span style=font-weight: 400;>There are those for whom public space is the only space available. Aged eight, Nayeri fled Iran along with her mother and brother, living in a refugee camp before eventually being granted asylum in the US and making her way to Princeton University. Here, she weaves together her own vivid story with the stories of other refugees and asylum seekers who have been displaced in recent years, bringing us inside their daily lives as they gather in camps and borderlands, trying to find a path toward resettlement in homes they can call their own.</span>
<ol start=8>
 	<li><b> </b><b>Barbarian Days: A Surfing Life by William Finnegan</b></li>
</ol>
<img class=size-medium wp-image-15159 aligncenter src=https://www.frontlist.in/wp-content/uploads/2021/06/91VUNuVD5KL-196x300.jpg alt=Barbarian Days: A Surfing Life by William Finnegan width=196 height=300 />

<span style=font-weight: 400;>Finnegan’s Pulitzer prize-winning book falls into my favourite category of nonfiction: memoirs of obsession. Here the obsession is surfing, and the public spaces in which surfing occurs. Life on land becomes less real and transformative than “lazy days of waiting for waves” among communities of surfers gathered quietly on unpredictable oceans. “Out in the lineup,” Finnegan writes, “once the swells started pumping, large pools of awe seemed to collect around us, hushing us, or reducing us to code and murmurs, as though we were in church.”</span>
<ol start=9>
 	<li><b> </b><b>The Wombles by Elisabeth Beresford</b></li>
</ol>
<img class=size-medium wp-image-15158 aligncenter src=https://www.frontlist.in/wp-content/uploads/2021/06/51Cnh5xOPFL-197x300.jpg alt=The Wombles by Elisabeth Beresford width=197 height=300 />

<span style=font-weight: 400;>Elisabeth Beresford</span><span style=font-weight: 400;> took her young children for a Boxing Day walk on Wimbledon Common in south-west London, where her daughter Kate repeatedly mispronounced it as “Wombledon Common”. This sparked an idea, and in 1968 Beresford published her first children’s book about The Wombles, a group of furry creatures with the motto “Make Good Use of Bad Rubbish”. Environmental pioneers ahead of their time, The Wombles gathered in burrows and open green spaces with the aim of recycling rubbish in creative ways. They were also early farm-to-table advocates, demonstrating a great hunger for the kinds of dishes that would now cost you a month’s salary at a Michelin-starred restaurant: daisy buns, acorn juice, fir-cone soufflé, and elm bark casserole.</span>
<ol start=10>
 	<li><b> </b><b>Here Is New York by EB White</b></li>
</ol>
<img class=size-medium wp-image-15157 aligncenter src=https://www.frontlist.in/wp-content/uploads/2021/06/511XBl8f6XL-218x300.jpg alt=Here Is New York by EB White width=218 height=300 />

<span style=font-weight: 400;>Perhaps the greatest book about New York ever written</span><i><span style=font-weight: 400;>, </span></i><span style=font-weight: 400;>Here Is New York unfolds as a single imagined stroll around the city. “Manhattan is without any doubt the greatest human concentrate on earth,” White writes, “the poem whose magic is comprehensible to millions of permanent residents but whose full meaning will always remain elusive.” White captures how a city does not become great by virtue of its skyline, but by the communion of people gathered in its public spaces.</span>

<em>Source - The Guardian</em>

&nbsp; ]]>
            </description>
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                <![CDATA[ Frontlist ]]>
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            <guid>2</guid>
            <pubDate>Fri, 06 18, 2021 04:30 am</pubDate>
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